B - Get sexy shows a competition of runners wearing artificial limbs that is flanked by two digitally animated iconic objects, a color changing pop version of the torso of belvedere and a Karmann Ghia sports car in a state of begun restoration. My starting point was the 2012 Paralympics advertisement as well as the technological discussion around Oscar Pistorius using prosthetics in the Olympics in the same year. The installation is accompanied with a workout lounge sound collage that is full of moments of sensation („Aaah“s and „Ooooh“s collected from video advertisements) and creates an ambiance swaying between banality and mystery. The connections established among the three channels of the piece question concepts of beauty, performance and worthiness.

B - Get sexy shows a competition of runners wearing artificial limbs that is flanked by two digitally animated iconic objects, a color changing pop version of the torso of belvedere and a Karmann Ghia sports car in a state of begun restoration. My starting point was the 2012 Paralympics advertisement as well as the technological discussion around Oscar Pistorius using prosthetics in the Olympics in the same year. The installation is accompanied with a workout lounge sound collage that is full of moments of sensation („Aaah“s and „Ooooh“s collected from video advertisements) and creates an ambiance swaying between banality and mystery. The connections established among the three channels of the piece question concepts of beauty, performance and worthiness.